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Just got the card in today's mail: the Atlanta Camerata is doing The Play of Herod this year, after taking a couple of years off. It's a Christmas traditon--they did it every year for about 15 years, before taking a break. The Play of Herod is actually a couple of medieval mystery plays put together, telling the Christmas story through the slaughter of the innocents and the flight into Egypt. They perform it all in Latin with subtitles, though my memory of the first time I saw it, pre-subtitles, it was more like the medieval peasants might have experienced it. Follow the actions, maybe some Latin words are familiar from the Mass, but mostly the singing just washed over you.

So, I gotta go. Brother and sister-in-law are busy on both dates, not that I have but one choice: I'm out of town until late on Dec. 10, so Dec. 11 is it. Must decide if I'm willing to go to St. Luke's on Peachtree alone--it's not the best part of town, having a large homeless population that can occasionally be bothersome. But there will be a crowd at Herod, so hopefully it won't be a problem I'll go ahead and make a reservation...
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Nice concert: 2 pieces by Kapilow that are settings of books by Dr. Seuss: Green Eggs and Ham (a book I had thoroughly memorized as a child) and Gertrude McFuzz, which I had never heard of. The program was filled out by the Furioso Polka (Strauss) and a set of variations on "Pop Goes the Weasel". These concerts last about an hour with no intermission, and juice or milk and cookies are usually available in the lobbies before the shows.

The Kapilow pieces were not what I would have expected--quite modern, musically (especially Green Eggs), with a mezzo-soprano soloist role in both that seemed challenging. The other player in Green Eggs was an eighth-grade boy (playing Sam I Am) who had mostly spoken lines, with just a little singing at the end.

Gertrude McFuzz was fun, and not quite so modern in the harmonies. The mezzo had a narrator role, and the other player, a woman, was Gertrude McFuzz, a bird who is unhappy with her tail feather. The piece was a good demonstration of why this concert series does so well with its conductor, Jere Flint--when Gertrude goes to ask her uncle for help with the tail feather problem, Mr. Flint, conducting away, served as an uncle-prop, having his coattails tugged, his legs hugged, and so on. And it got worse--Gertrude is sent to find a pill-berry vine to eat a berry. The narrator picks up a cylinder about 18" high and adorned with leaves, and plops this on Mr. Flint's head--he's now the pill-berry vine. The kids love it, of course.

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November 2016

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